Writer
I write across novels, fan fiction, poetry, and tabletop worlds — plus Enso, the comic I’m building panel by panel. Some of it’s polished, some of it’s still finding its shape, but all of it starts the same way: with a story that wouldn’t leave me alone. No matter how hard I tried to offer it to Satan instead.
The long‑form worlds I build when a story refuses to stay small. Novels are where my characters get loud, my themes get layered, and my patience gets tested — in the best possible way. These are the stories I’m shaping slowly, intentionally, and with a lot of mushroom coffee.
My favorite writing gym. Fan fiction is where I experiment, stretch new skills, and occasionally fix plot choices that have personally offended me. It’s fun, it’s low‑pressure, and it’s where half my best ideas accidentally start.
Short, emotional, occasionally unhinged. Poetry is where I say the things prose refuses to hold — the soft moments, the sharp ones, and everything in between.
Campaigns, characters, chaotic plot twists — basically storytelling with dice. This is where my inner nerd thrives and my writer brain gets to play without rules.
The project I didn’t expect to fall this hard for. After severe writer’s drought and feeling like I was on a respirator to keep going I stumbled my way into an ELVTR class by Adam Beechan. Not knowing what to write I dusted off some old notes I had at the back of a saved writing scraps folder and found myself soon with a full series bible, a cast of characters I think about more than I’d like to admit, and twenty pages of an Issue #1. Right now I’m hunting for an artist and still deciding whether to pitch it or self-publish — but either way, this one’s happening. For the Nihon Shoki time in my life and for my gratitude for the talented people I met.